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LA PERILLOSA CASA HORRIBLE

PABLO PÉREZ ANTÓN

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MANOLO MULTÓN Y EL MAGO GUASÓN

ALFREDO GÓMEZ CERDÁ

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L'ENEIDA és un relat d'aventures, d'amor i de guerra. Llegint l'Eneida podrem commoure'ns amb el dolor de la bellíssima reina Dido quan Enees se'n va, patir per la sort de les naus del troià enmig de les tempestes, o assistir al seu impressionant combat amb el rei Turnus. Veurem Iris dibuixant el seu arc en el cel quan Juno l'envia amb els seus missatges perversos, ja que va ser aquesta poderosa deessa la gran enemiga d'Enees. Les aventures i les lluites de l'heroi Enees meravellen i sorprenen. Així comença l'Eneida, tal com la va escriure Virgili: Arma virumque can, Troiae qui primus ab oris, Italiam, fato profugus, Laviniaque uenit, litora?

L?ENEIDA EXPLICADA ALS INFANTS

PUBLIO VIRGILIO MARÓN...

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The AENEID is a tale of adventures, love and war. Reading the Aeneid, we will be moved by the pain of the beautiful queen Dido, when Aeneas departs, to suffer the fate of the Trojan vessels in the thick of the tempests, or to attend his incredible combat with king Turnus. We will see Iris, drawing her bow in the sky when Junus sends her with his perverse messages, because this powerful goddess was Aeneas? great enemy. Aeneas?s adventures and struggle marvel and astound. This is how the Aeneid begins, as Virgil wrote it: Arma virumque cano Troiae qui primus ab oris Italiam fato profugus Laviniaque uenit litora? Find plot summary of the original work in: http://en.wikipedia.org/wiki/Aeneid Aeneas?s adventures and struggle marvel and astound. This is how the Aeneid begins, as Virgil wrote it: Arma virumque cano Troiae qui primus ab oris Italiam fato profugus Laviniaque uenit litora?

LA ENEIDA CONTADA A LOS NIÑOS

PUBLIO VIRGILIO MARÓN...

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The two children stopped to look around. That silence did not augur well. A few seconds passed and there was a loud crack. Someone, or something, had snapped a stick. The two friends turned pale. If it was an animal, it must be huge. Their hearts pounded against their chests. Another stick was heard to break. This time a lot closer. Whatever it was, it was coming closer, and it was approaching quickly. One of the children turned on the torch and shone it ahead. They could make out a giant sized silhouette hidden among the undergrowth, shying from the light, an enormous monkey-like species. The children started to move backwards, step by step, not turning their backs, trembling with fear, when a terrifying roar raged through the quiet of the night. Since that day, every first night of summer waxing moon, year after year, the boys of the village ventured into the woods together so that the creature, who they had nicknamed the Bichogordo, could give them a fright. It became a ritual which made the boys feel grown up and able to confront their fears. However, precisely the year that marked the thirtieth anniversary of the start of this tradition, something unexpected and violent happened in the woods that tore the calm of the village to shreds and had all of its inhabitants with their hearts in their mouths. An event that was to change the life of a ten-year-old boy for ever, a lad who, according to his father, let his mind wander too much. A boy whose name was Matías.

LA CRIATURA DEL BOSQUE

PEDRO RIERA DE HABSBURGO

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